The Newseum in Washington, DC, opened near the Mall in 2008. This 7-floor, 653 square-foot building on Pennsylvania Avenue is a museum of photographic, print and broadcast journalism. Its architecture combines ultra-sleek glass with reinforced concrete.

Instead of going to the National Gallery’s exhibition, Andy Warhol: Headlines, a trip to the Newseum across the street to learn about real headlines and the history of journalism would be more worthwhile. Warhol had a need for publicity, but that does not make his art interesting and real life news deserves more of the public’s attention. The 14 galleries and 15 theaters involve many historic events. A few news programs are broadcast here, including This Week.

Seeing a Warhol in person offers nothing new, unless the colors are wrong in reproduction. Size is the only difference between a real Warhol and a reproduction, but big does not make the art good. A concurrent Warhol exhibition at the Hirshhorn has very large pieces.

In contrast to most large National Gallery exhibitions which are teaming with visitors who can’t get their eyes off the paintings, prints or sculptures, a Warhol show gets visitors who walk through the exhibitions without stopping to look very frequently. On the Sunday I was there, no one had bought the $5 acoustiguide.

The photo above is from Wikipedia

Why has the National Gallery mounted a Warhol exhibition? Very wealthy collectors who had been lured into the hype have paid $18 million plus for his works, investments which could be worth little in 100 years. A recent news flash showed that actress Sandra Bullock’s son received the gift of a Warhol print; even a one-year old baby is learning to be fashionable. While working at a blue chip Chicago art gallery (not as trendy as Hollywood or New York) in the 80s, I saw how some collectors buy to be in style or flaunt their prosperity rather than for love or interest in art. Collecting Warhol is often for people who fall prey to these scenarios.

A recent PBS documentary about Warhol showed how many of his ideas were not his own ideas, even the soup cans. Contrary to the myth Warhol perpetuated, he was not the inventor of Pop Art. Better than going to a Warhol exhibition, one is advised to watch the PBS show on DVD or watch his imitators, today’s reality trendsetters on TV.

Furthermore, he has completely done a disservice to artists by suggesting that the shallow, narcissistic and capitalistic instinct should be cultivated as art.

Before giving Warhol attention, we should recognize the drug culture he created with many young women and men at The Factory in New York, where workers help him mass produce images. The terrible addictions and deaths that some of these “groupies” experienced should not be disregarded, as he promoted behavior influencing their demise in order to cultivate followers. Warhol received too much attention in his life and he does not deserve it now.

Instead of looking at his uninspired work, viewers should gaze at some of the stunning photojournalism in the Newseum, works of visionary power and depth which can be both illuminating and moving to viewers. The “Pictures of the Year” exhibition just closed. However, a traveling exhibition of Pulitzer-Prize winning photographs is on view through December 2011.

If you disagree, please feel free to comment on this blog and explain why his art has any value. If Andy is genuinely important, there will be persuasive arguments in Warhol’s favor. But if Warhol defenders don’t come to the rescue, you will prove my point — that the public should stay home and avoid these exhibitions. Writing your differences of opinion, just like freedom for artists to express themselves, is all important!

The Newseum is funded by Freedom Forum, a non-partisan group group dedicated to freedom of speech, freedom of the press and free spirit for all people. Its mission is “raise public awareness of the important role of a free press in a democratic society” and bring understanding between the public and the press. Like other institutions these days, it has hit hard financial times (isn’t it time for the price of an Andy Warhol to go down?) and staff had to be cut. The price of admission is now $21.75. But exhibits are interactive and you can spend an entire day there.

Finally, the true artist is one who would do art regardless of fame or fortune, someone like Van Gogh who sold no paintings in his lifetime but whose art truly moves people to this day. In a hundred years, Warhol will be forgotten because his art is lacking.
Here is a blogger who also has poor things to say about Warhol:

http://www.huffingtonpost.com/john-seed/warhol-soup-cans-analysis_b_894140.html

Copyright Julie Schauer 2010-2016