The gigantic Temple of Olympian Zeus, Agrigento, was damaged by earthquakes before completion. This new statue, a flying bronze, echoes the temple’s fallen state. The wing overlaps and seems to touch a huge Doric capital to the right of the middle.


I was recently in Sicily to view mainly the ancient Greek sites. My camera broke and thankfully Kelli Palmer is letting me share her pictures of Agrigento, a city known for the beauty of its golden limestone.

The Temple of Concord in Agrigento is one of the best preserved Greek temples standing today, probably due to the fact that it was used as a church in the Middle Ages. Right now contemporary sculpture is on display there and at the other temples in Agrigento. The combination of antique/modern — though not always successful — is particularly well done at this site because it does not detract from the ancient architecture while displaying the new work effectively. The sculptures seem to be made for this purpose.

A nude comfortably “bronzes”herself on the
porch of a 5th
century BC Doric temple. It is
not known to whom the temp
le wasdedicated.



Bronze hands reach upward, perhaps
expressing aspirations appropriate to

either church or temple. The arches date from the middle ages. The medieval builders cut arches into the walls, changing the ancient temple’s “cella”
into a church’s nave.


The modern marble figure, draped in a fashion reminiscent of the Venus de Milo, is far more sensual than a cult statue to Demeter, Persephone, Aphrodite or even the Christian Mary would have been in a religious building. But it stands harmoniously in this room which had been converted into a church’s nave in the 6th century. The relationship of a church‘s nave to its side aisles is similar to the relationship of an inner temple (the cella) to the outer colonnade.